Review: ‘Undertone’ is an unnerving, slow-burning audio horror experience
Ian Tuason’s debut feature was made for just $500,000 and succeeds by using its budget limitations to its advantage.
Review: Deeply strange ‘Gunfighter Paradise’ reckons with the modern American South
Written, directed, scored, photographed, edited, and starring Jethro Waters, this deeply strange microbudget tale will definitely appeal to fans of quirky cult movies.
Review: ‘Project Hail Mary’ is a fantastic feat of sci-fi storytelling
Truly a crowd pleaser, there’s something for everyone to love in Lord & Miller’s adaptation of the Andy Weir novel.
Review: ‘The Bride!’ is alive with audacious energy and post-#MeToo outrage
Maggie Gyllenhaal’s second feature as director is a deeply strange, out-there film that curb-stomps every Frankenstein adaptation to a bloody pulp with an outpouring of style and ideas.
Review: ‘A Body to Live In’ is a piercing portrait of a body modification pioneer
This posthumous documentary spotlights the body modification and alternative BDSM queer culture from the 1950s onward, with performance artist Fakir Musafar at the center.
Review: ‘Dolly’ wants to play
Rod Blackhurst’s Dolly may not reinvent the slasher horror movie, but its grindhouse feel, captivating villain, and tough-as-nails protagonist offer enough twists on the formula make for a very fun ride.
Review: Raving on the road to hell in ‘Sirāt’
Get ready for one of the most unexpectedly tense and horrifying cinematic journeys in recent memory.
Review: ‘Blades of the Guardians’ brings Wuxia to the Fury Road
With a massive cast and grand desert vistas, Yuen Woo-ping’s latest showcases the wuxia genre on an epic scale and should deliver anything a fan wants.
Review: ‘How to Make a Killing’ takes a nibble out of the rich
John Patton Ford’s follow-up to Emily the Criminal is an enjoyable, often funny flick riding the current wave of late-stage capitalism cinema. Just don’t expect any real social commentary or airtight logic.
Review: ‘Pillion’ shows the power, joy, and hilarity of submission
This is a smart, clever, well-crafted movie that offers a true representation of a highly stereotyped and often dismissed queer subculture and so much more.
Review: ‘Wuthering Heights’ should have gone even further
The visual storytelling, quirky details, and vibrant energy of Emerald Fennell’s enjoyable adaptation of the Emily Brontë novel are held back when the script veers too closely into tradition.
Review: Charli XCX sells out Brat Summer in ‘The Moment’
While there are quite a few funny moments and scenarios in The Moment, this mockumentary is conceptually more interesting to think about than to watch.
Review: ‘If I Go Will They Miss Me’ is an achingly beautiful portrait of fatherhood
Gorgeously photographed, each frame of Walter Thompson-Hernández’s If I Go Will They Miss Me is stunning and elevates an often-told story to mythic proportions.
Review: ‘Lady’ takes a cab through the neon nightlife of Lagos
Set against one of the many economic protests in Nigeria, a tough-as-nails cab driver tries to make ends meet and squirrel enough away to escape.
Review: ‘Ha-Chan, Shake Your Booty!’ is a messy grief dramedy with fantastical ballroom dancing
Sure to be a crowd pleaser, the cheekily tilted Ha-Chan, Shake Your Booty! depicts the chaotic interior and exterior life of a fanciful woman after the death of her husband and ballroom dance partner.
Review: ‘Shame and Money’ portrays the endless drudgery of just getting by
Winner of the Grand Jury Prize at Sundance 2026, Visar Morina’s Shame and Money could also win an award for the most on-the-nose film title.
Review: ‘Josephine’ is extremely upsetting—and a cinematic achievement
Winner of the 2026 Sundance Film Festival’s Audience Award Dramatic and Grand Jury Prize Dramatic, Josephine is an extremely upsetting and horrifying two hours—yet also a cinematic achievement.
Review: ‘Take Me Home’ follows a family reckoning with disability and decline
Depicting the cold realities of the American medical system as well as the warm, quiet moments of family life that continue despite the circumstances, Liz Sargent’s Take Me Home dares to ask if it has to be this way.
Review: ‘Burn’ is a bleak, J-pop inspired teenage fantasia
A nihilistic nightmare of teenage hell and kaleidoscopic style, Makoto Nagahisa’s Burn is one of the most unique films you’ll see this year, if not this decade.
Review: ‘The Friend’s House is Here’ brings home how living well is the best resistance
A portrait of a Tehran the Western media never shows, The Friend’s House is Here depicts the vibrant friendship of two Bohemian underground artists reckoning with an oppressive government.