Superhero movies have spent 25 years avenging, multiversing, and dispensing justice. But M. Night Shyamalan’s 2000 masterpiece Unbreakable set the standard from the start.

The songwriter, storyteller, and multi-instrumentalist Greta Morgan on the movies that complement her new memoir.

In Spike Lee’s inconsistent reimagining of Akira Kurosawa’s classic High and Low, Denzel Washington stars as an aging record executive facing a $17.5 million moral dilemma.

Once upon a time in the year 2000, these two fantastic movies came out and accidentally explained 95% of the cis-het male population.

Samuel Van Grinsven’s stripped-down ghost story takes intriguing risks but also settles for muted horror thriller cliches.

The debut book from content creator and physical media evangelist Jeff Rauseo argues against the streaming-centered status quo.

With its dark humor, intense scares, and playful plot structure, writer/director Zach Cregger’s Barbarian follow-up is the most fun I’ve had at the movies this year.

The content creator, physical media enthusiast, and author of Lost in the Stream answers 16 rapid-fire questions about the movies and movie experiences that have made his life sweeter.

Olivier Assayas’s metafictional meditation on his COVID quarantine experience only hints at something richer.

Documentarian Victor Kossakovsky films cement production and a natural landslide with similar amazement while pushing the boundaries of drone videography.

Is Michael Winterbottom’s new film a BBC-esque period piece? A gripping spy thriller? A star-crossed love story? Who knows—the movie certainly doesn’t.

The director of Magnetosphere answer 16 rapid-fire questions about the movies and movie experiences that have made her life sweeter.

In celebration of its 40th anniversary, here are 5 reasons Back to the Future remains an iconic cultural phenomenon.

The long-awaited entrance of Marvel’s “first family” into the MCU attempts to revive the Marvel brand and bring fans back, with mixed results.

When I felt alone and invisible, Back to the Future became my way of accessing the world—and eventually connecting with others.

Marty, Doc, and Biff are iconic names in movie history. But what about other citizens of Hill Valley?

There’s a winking, Gen-Z tone to this legacyquel that never fully descends into parody, but also makes sure the audience gets plenty of laughs and hook/harpoon-related mutilation.

In Ari Aster’s new COVID-era, hysteria-western Eddington, cell phones have overtaken shootouts as the primary mechanism of frontier justice.

The characters in Max Barbakow’s terrific 2020 time-loop comedy Palm Springs confront their existential crisis with denial, anger, and curiosity. As someone who left the religion of my youth, I found that very familiar.

Overwritten and under-executed, James Gunn’s Superman is yet another entangled, CGI superhero slop fest disguised as something meaningful.