Review: ‘Hamnet’ is a heartbreaking testament to the power of art
Chloé Zhao’s new tearjerker finds a compelling middle ground between her heartfelt, naturalistic independent pictures and mainstream historical drama.
Sarah Potter picks 5 movies to pair with ‘Sober Magic’
Tarot reader and professional witch Sarah Potter on the movies that complement her new book.
Josh Ritter picks 4 movies to pair with ‘I Believe in You, My Honeydew’
Folk musician and singer-songwriter Josh Ritter on the movies that complement his new album.
Review: ‘Put Your Soul on Your Hand and Walk’ puts a vibrant face to a horrific war
It’s easy to get numb to the never-ending horror of the news, but Sepidah Farsi’s documentary reminds us that for every daily uptick in Palestinian deaths, each number was a person with hopes and dreams.
Scott Campbell picks 6 movies to pair with ‘Cabin Head and Tree Head’
Author and illustrator Scott Campbell on the movies that complement his new book.
Review: Bad knees, prophecies, and wondrous possibilities in ‘The Man Who Saves the World?’
Director Gabe Polsky’s documentary spotlights the wild life of globe-trotting chaplain, UN peacekeeper, and all-around renaissance man Patrick McCollum.
Review: ‘Wake Up Dead Man’ is a faithful, crowd-pleasing whodunit
If Glass Onion felt a bit too sunny for you, director Rian Johnson’s third Knives Out film injects a dab of gothic mystery and a surprisingly thoughtful depiction of the power of faith.
3 Takeaways from ‘Mitski: The Land’
Our thoughts on the new concert film from indie rock singer-songwriter Mitski.
Review: The Jesus horror film ‘The Carpenter’s Son’ left us with so many questions
Why does Jesus have the stereotypical TikTok boy haircut? And who asked for a scene of Nicolas Cage washing FKA Twigs’ feet?
Dan Deacon’s Sweet 16
Composer and electronic musician Dan Deacon on the movies and movie experiences that have made his life sweeter.
Westerman picks 4 movies to pair with ‘A Jackal’s Wedding’
English synth pop musician Will Westerman on the movies that complement his new album.
Review: Linklater’s ‘Nouvelle Vague’ is an easygoing ode to cinematic oddballs
While this French New Wave-inspired film lacks significant stakes and surprises, getting a low-key Linklater period hangout movie is its own type of cinematic treat.
Aisha Harris’s Sweet 16
Author and Pop Culture Happy Hour podcaster Aisha Harris on the movies and movie experiences that have made her life sweeter.
Brooks Betts of Mayday Parade picks 4 movies to pair with ‘Sad’
Mayday Parade guitarist Brooks Betts on the movies that complement the band’s new album.
Meet the Filmmakers of the 2025 Chicago International Film Festival
A brief Q&A about what they learned making their movie, their filmmaking superpower, and more.
Review: ‘The Stranger’
French arthouse mainstay François Ozon plays it straight with his adaptation of the classic Albert Camus novel. But what works in a short philosophical text does not make an engaging film.
Review: ‘Miroirs No. 3’
In this brief, mysterious drama, director Christian Petzold revisits many of the themes from his filmography while cutting back as much as possible.
Interview: Toby Poser and John Adams on ‘Mother of Flies’ and the Language of Folk Horror
12+1 questions with family filmmaking duo Toby Poser and John Adams about their latest indie horror film Mother of Flies, taking cues from nature, and more.
Review: ‘My Father’s Shadow’
Particularly for a feature-length debut, Akinola Davies Jr.’s direction and script are impeccable, operating on so many levels from the personal to the political.
What Your Favorite Horror Comedy Says About Society
Here are 11 horror-comedy classics that are more than just laughs and blood splatter—and prove society itself is the punchline.