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The characters in Max Barbakow’s terrific 2020 time-loop comedy Palm Springs confront their existential crisis with denial, anger, and curiosity. As someone who left the religion of my youth, I found that very familiar.
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There’s a winking, Gen-Z tone to this legacyquel that never fully descends into parody, but also makes sure the audience gets plenty of laughs and hook/harpoon-related mutilation.
In Ari Aster’s new COVID-era, hysteria-western Eddington, cell phones have overtaken shootouts as the primary mechanism of frontier justice.
Overwritten and under-executed, James Gunn’s Superman is yet another entangled, CGI superhero slop fest disguised as something meaningful.
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