Review: ‘Suspended Time’ takes a lethargic look back on lockdown
Olivier Assayas’s metafictional meditation on his COVID quarantine experience only hints at something richer.
Review: Rockumentary ‘Architecton’ looks stone-cold stunning
Russian documentarian Victor Kossakovsky films both cement production and a natural landslide with similar amazement and wonder while pushing the boundaries of drone videography.
Review: ‘Shoshana’ is as convoluted as its geopolitics
Is Michael Winterbottom’s new film a BBC-esque period piece? A gripping spy thriller? A star-crossed love story? A condemnation of violent revolution? Who knows—the movie certainly doesn’t.
Why ‘Back to the Future’ is Eternal
In celebration of its 40th anniversary, here are 5 reasons Back to the Future remains an iconic cultural phenomenon.
Review: ‘The Fantastic Four: First Steps’ toddles in the right direction
The long-awaited entrance of Marvel’s “first family” into the MCU attempts to revive the Marvel brand and bring fans back, with mixed results.
How ‘Back to the Future’ Changed My Density
When I felt alone and invisible, Back to the Future became my way of accessing the world—and eventually connecting with others.
Minor Characters in ‘Back to the Future’, Ranked
Marty, Doc, and Biff are iconic names in movie history. But what about other citizens of Hill Valley?
Review: Somehow ‘I Know What You Did Last Summer’ hooks you in
There’s a winking, Gen-Z tone to this legacyquel that never fully descends into parody, but also makes sure the audience gets plenty of laughs and hook/harpoon-related mutilation.
Review: Fear and loathing in ‘Eddington’
In Ari Aster’s new COVID-era, hysteria-western Eddington, cell phones have overtaken shootouts as the primary mechanism of frontier justice.
I Found Religion in ‘Palm Springs’
The characters in Max Barbakow’s terrific 2020 time-loop comedy Palm Springs confront their existential crisis with denial, anger, and curiosity. As someone who left the religion of my youth, I found that very familiar.
Review: ‘Superman’ is a well-cast blockbuster lost in its own self-importance
Overwritten and under-executed, James Gunn’s Superman is yet another entangled, CGI superhero slop fest disguised as something meaningful.
Review: ‘F1’ is an exhilarating ride without a higher gear
Between the pulse-pounding sequences of Joseph Kosinski’s Top Gun: Maverick followup is the formulaic fodder of every feel-good sports movie.
‘M3GAN’ Slays, Literally and Emotionally
At first glance, M3GAN looks like just another evil-doll genre flick. But after the titular robot belts out a semi-soulless rendition of “Titanium” it becomes clear Gerard Johnstone’s 2022 sci-fi slasher has layers.
Review: ‘28 Years Later’ is bloody and bizarre in the best ways
The third entry in Danny Boyle and Alex Garland’s zombie series could have easily become a “legacyquel” IP cash grab, yet it remains grounded as a heartfelt, harrowing, and often zany story.
6 movies to pair with Kevin Andrew Prchal’s album ‘New World Rhythm’
The Chicagoland singer-songwriter on the movies that influenced the making of his new album, out on June 6!