Review: Fear and loathing in ‘Eddington’
In Ari Aster’s new COVID-era, hysteria-western Eddington, cell phones have overtaken shootouts as the primary mechanism of frontier justice.
Review: ‘Superman’ is a well-cast blockbuster lost in its own self-importance
Overwritten and under-executed, James Gunn’s Superman is yet another entangled, CGI superhero slop fest disguised as something meaningful.
Review: ‘F1’ is an exhilarating ride without a higher gear
Between the pulse-pounding sequences of Joseph Kosinski’s Top Gun: Maverick followup is the formulaic fodder of every feel-good sports movie.
‘M3GAN’ Slays, Literally and Emotionally
At first glance, M3GAN looks like just another evil-doll genre flick. But after the titular robot belts out a semi-soulless rendition of “Titanium” it becomes clear Gerard Johnstone’s 2022 sci-fi slasher has layers.
Review: ‘28 Years Later’ is bloody and bizarre in the best ways
The third entry in Danny Boyle and Alex Garland’s zombie series could have easily become a “legacyquel” IP cash grab, yet it remains grounded as a heartfelt, harrowing, and often zany story.
6 movies to pair with Kevin Andrew Prchal’s album ‘New World Rhythm’
The Chicagoland singer-songwriter on the movies that influenced the making of his new album, out on June 6!