A harbinger of Le Borg’s The Dalton Girls, Roger Corman’s Gunslinger clouds the commonly rigid gendered rules of westerns.
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Huddled between coming-of-age melodrama, vacation fun, and back-country suspense, it’s not difficult to identify why White Water Summer struggled to find its core audience.
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Jamie Babbit’s 1999 comedy works to preserve its goofy tenor amidst bleak themes.
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Despite a wild storyline and all-star lineup, Repo! has not one trace of sarcasm, self-consciousness, or so much as the smallest amount of external context.
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The culmination of ‘80s cinema is, of course, the BMX dance routine in the 1986 coming-of-age sports movie Rad.
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